Joyce Simons

Author Website

  • Home
  • Bio
  • Blog
  • Contact

February 4, 2018 By Joyce Simons

Sleuthing One’s Way to the Truth

It’s about one month into the second quarter of the Certificate in Private Investigation program at the University of Washington, and we’re finally addressing the topic of uncovering the truth. Here’s a brief recap of what we learned in the first quarter (called Private Investigation & the Law) with respect to law and order:

  • The truth has no bearing on a trial. The burden of proof is on the prosecution to prove the elements of its case beyond a reasonable doubt. The job of the defense is to cast doubt on one or more of those elements, and thus compel a jury to render a verdict of Not Guilty.
  • The defendant’s job is to let his or her attorney do their job. The “what really happened” story is of no consequence and could very well remain a mystery during a trial and long after it ends.
  • The police investigate crimes on behalf of the prosecution. They stop investigating when they think they’ve found what they were looking for.
  • Private investigators, if they’re involved at all, typically work for the defense.

So whose job is it to uncover the truth?

Diogenes looking for an honest man

You could argue that it’s the job of the private investigator. Private investigators tend to pick up where the police leave off. An example I often use to illustrate the role of the PI is this: let’s say the police stumble upon the body of a man with a bullet hole in his forehead. It would be easy to conclude that he died of the gunshot wound. So off they go in search of a smoking gun. And when they find one, case closed. Open and shut case, right?

Not so fast! What if the medical examiner later determines that the victim actually died of poisoning and the gunshot covered up that fact? If the defense attorney had in inkling that his client shot a dead man, he would have already dispatched a private investigator to collect evidence that his client is not guilty (which, by the way, is not the same as saying he’s innocent). If the PI is skilled enough or lucky enough (after all, by this time, the crime scene is most likely hopelessly contaminated) to find the poison that killed the shooting victim, it could throw the prosecution’s entire case into question.

In this second quarter (called Criminal Investigation & Investigative Techniques) of the PI program, we’re learning that the PI’s job is to find every fact that can be found and turn it over to the defense. End of story. But is it a satisfying story? Our instructor stressed from our first class that a critical trait of a successful PI is to withhold judgment about whodunit. Our job is to keep our eyes and ears open, get a clear accounting of exactly what happened and when (using the riveting investigative techniques she’s teaching us), and resist trying to reach a conclusion. The minute we head down that slippery slope, we’ve introduced bias into the process. Fitting together the puzzle pieces is the defense attorney’s job. And once we turn over the evidence to him or her, we wash our hands of the case and move onto the next one.

So again, whose job is it to uncover the truth? The answer, as counterintuitive as it may sound, is: no one’s. Which is why writing stories about an amateur sleuth is so deeply satisfying.

I recently shared the outline for my next novel, set in Lyon, with my editor. Lyon is a stunningly pretty city whose sizable Old Town is a UNESCO World Heritage Site. In fact, I’m told that Vieux Lyon is the world’s largest Renaissance quarter after Florence, Italy. You can practically feel the shroud of history settle on your shoulders as you wind through its uneven streets and dark alleys, and at night it’s easy to imagine a sinister individual lurking just beyond the light of a street lamp.

Lyon, France

When I told my editor that my plan is to incorporate the tone of the Old Town into the mystery that my amateur sleuth will become embroiled in, she advised me to infuse lightness into the story. So Maxime Martin, my protagonist, will be the light that chases away the shadows of lies and cover-ups.

Which called to mind ancient Greek philosopher Diogenes, who abandoned the life of a banker to make his living as a beggar, slept in a wine barrel, and carried a lamp to light his way to an honest man. Exactly why he was looking for an honest man isn’t clear. (Some claim he was mad, others claim he was trying to prove that good manners are a disguise for dishonest living, and still others claim that the quote attributed to him was mistakenly translated and that he was “looking for a human.”) Whatever the answer, the image of Diogenes is the closest parallel I’ve found to an amateur sleuth. Far be it for me to answer the question, “Why is the truth important?” (beyond the simple fact that humans are meaning-making machines). But I can tell you that if, like me, you’re frustrated by the sober reality that it’s no one’s job in our justice system to uncover the truth, then there are hours upon hours of satisfaction to be found in reading about a protagonist who volunteers for that job.

Thanks this week go to Denise Scaffidi, my instructor this quarter at the UW, who is unknowingly equipping my protagonist with the critical tools he’ll need to find a killer in Lyon. Which leaves just one thing he’ll need to provide: his own lamp.

Diogenes's lamo

Filed Under: Private investigation Tagged With: amateur sleuths, Certificate in Private Investigation, Criminal Investigation & Investigative Techniques, Denise Scaffidi, Diogenes, Maxime Martin, Vieux Lyon

January 17, 2018 By Joyce Simons

10 Questions about Knitting with Catherine Smegal

New year, new blog topic! Last year I posted an interview with Private Investigator extraordinaire, Sid Rubin. Today, I’m kicking off a series of interviews with expert knitters whom I know personally.

lace knitting with white yarn

Why interview knitters? For so many good reasons. First, my protagonist, Maxime Martin, is an expert knitter himself. It’s his therapy, his meditation, the only reliable way he knows to still his overactive mind and calm his frayed nerves. Second, it’s one of my hobbies as well so it’s always exciting to learn from a master. Third, knitters are a largely misunderstood group; knitting is a curiously holistic activity because it engages the body (well, the fingers at least), mind, and spirit. If you don’t quite understand what I mean by that, you will as you read though these posts about why and what expert knitters knit.

I’m inaugurating this topic with an interview with my friend Catherine Smegal, who I met a few years ago when she started a French conversation group that I attended from time to time. I soon discovered that there’s much more to Catherine than her love for all things French: she’s a voracious and discerning reader, an extremely talented knitter, a beauty expert, a yoga aficionado, an animal lover, and the kind of caring, thoughtful soul that everyone should be so lucky to include in their circle of friends.

Catherine Smegal

So without further ado, here are the ten questions I asked Catherine and her delightfully insightful answers:

Q: Why do you knit?
A: Knitting isn’t just about knitting. I knit more because of the process than because of the finished product. I knit to have a predictable outcome of some kind. If I follow the pattern, I know that I’m going to be successful, unlike so many things in life. And I knit to learn something in the process.

Q: According to Churchmouse Yarns & Teas (my favorite shop on Bainbridge Island), project knitters focus on the destination; process knitters focus on the journey. Which type of knitter are you, and what kind of project fulfills both needs?
A: I’m definitely a process knitter. The project I’ve made that fulfilled both needs best is called Near Solstice Shawl with bird footprints on it.

Near Solstice Shawl

The designer of the shawl is Bridget Rorem. I knit it out of one zillion meters of Jagerspun Zephyr yarn, which is a merino silk blend, thin as a spider’s web. It’s in white and it’s my favorite yarn to knit with. I love to knit in white. There’s haiku across the top that reads, “At winter’s dawning, birds are dancing on the snow to silent music.” It was a project for which I had to keep track of the bird footprints. It’s a lace project and most lace knitting fulfills both needs. I love color but I love to see it on other people. I don’t like to wear it. With a fine project like that, if you knit it in dark yarn, you’ll go blind.

Q: Can you give me an example of a challenge or problem in your life that was assuaged by knitting?
A: Yes. Lots of them. My mom and I were not close and I came across a pattern for a beautiful Norwegian sweater knit in strange and contemporary colors. It reminded me of my mom. It was a really hard project. It involved a velvet collar and cuffs, and some sewing in addition to knitting. I decided to knit it for my mother. As I was knitting it, I could feel my heart mending. It couldn’t have been for anyone but her. When I finished it, I had fallen in love with her all over again. When I gave it to her, everything in the past melted away and my dream of having a mom I could be close to came true. And it has been ever since.

Q: What are your favorite things to knit?
A: Anything on tiny, tiny needles. It looks so refined and it looks perfect when it’s done. Read up on how they made the unicorn tapestries. They work from the backside and don’t know what it’ll look like when it’s done. Lace knitting is like that. It looks like a bundled-up fishing net when it’s being knit, and you don’t know what it’ll look like. It’s like a leap of faith because you can’t see it until it’s done. And if you make a mistake, you won’t know until it’s done. Or when you’re blocking it, it’ll fly apart. If you don’t do something just right, it’ll come apart.

Q: What knitting project are you proudest of and why?
A: My niece’s wedding shawl. I knitted it larger than it shows and I invented a different border. I knit it with the intention that if she has children, it’ll be a baptism shawl.

wedding shawl

Q: What, in your opinion, is the pinnacle of knitting? (That is, what project do you aspire to?)
A: Knitted lace.

Q: If you met a handsome, 39-year-old man who was an avid knitter, what assumptions might you make about him?
A: I would assume he was a deep thinker, valued his time alone, had great attention to detail, and enjoyed making discoveries. I would assume, unless he just knit scarves, that he enjoyed learning new things and was not good at sitting still. Often people will say to knitters that they don’t have the patience. I don’t have the patience not to knit— to just watch a movie without knitting.

Q: What is your biggest frustration about knitting?
A: That I can’t knit in my sleep.

Q: What is the biggest misconception you think people have about knitters?
A: That they’re frumpy and that they’re covered in cat hair.

Q: What does knitting do for you that you can’t get any other way?
A: It’s my meditation. The courage it takes to cut a steek in knitting rivals anything I’ve ever done. A steek is something you use in Fair Isle knitting. It can require 15, 17 or 20 colors. You have to cut your knitting open. Cowards sew it first on a sewing machine. It’s so frightening and you always have to have a glass of wine before and maybe after too, to calm down.

Merci mille fois to Catherine for allowing me to interview her and for sharing her passion on this blog. I have not yet acquired the intestinal fortitude to try steeking, even after a glass of wine— or a bottle, for that matter. But I suspect Maxime will be steeking his heart out in some far-flung region of France before long, especially if there’s a murder or two to solve along the way.

Filed Under: Knitting Tagged With: Bridget Rorem, Churchmouse, expert knitter, expert knitting, near solstice shawl, steek, steeking

January 3, 2018 By Joyce Simons

Excellent Writing Advice from an Unexpected Source

Yesterday I rang in 2018 by drafting a blog post that I had planned to publish by the end of the day. But when all was said and done, I just wasn’t feeling the love.

So today, I decided to channel that feeling of having accomplished a whole lot of nothing into something useful: translating another TED talk. That’s when I came across this video, which I just love:

I don’t know yet who Victoria Smith is, but I intend to find out. In just 4 minutes and 35 seconds, this beautifully crafted cartoon offers excellent writerly advice that draws on classic literature and cinema, from Oedipus Rex to Alfred Hitchcock’s Psycho. Even if you’re not a writer, you’re sure to find it entertaining.

So in lieu of a lengthy post, let this video be my New Year’s gift to you as a token of my appreciation for visiting my blog. Hope you enjoyed happy holidays and that your greatest moments of suspense centered around what wonderful things awaited you in brightly wrapped packages!

Filed Under: Writing mysteries & more Tagged With: How to create suspense, How to make your writing suspenseful, Victoria Smith

December 10, 2017 By Joyce Simons

Five Favorite French-isms

A year or so ago, I became a member of the TED Translator program. Since I love to learn new things, you can imagine my delight at having the chance to translate some of my favorite TED talks from English to French or from French to English, and to help others with their translations. What startled me at first was how many idiomatic expressions we all use all the time. Some can be translated easily, some require finessing to capture the meaning and tone of the expression. Very few, if any, can be translated word-for-word. I participate in a weekly meetup of francophones of all levels, so I get to hear some pretty colorful mistakes. A frequent one is translating an English expression word-for-word and thinking it’s French.

If you try this tactic and a French person understands you, you’re ahead of the game. (Voila! An idiomatic expression!) But best to learn a few popular French expressions and try them out on unsuspecting native speakers. They’ll be duly impressed with your grasp of argot (slang) and might even teach you a new phrase or two.

To get you started, here are five of my favorite French idiomatic expressions…

Un panier de crabes

You might say that translating expressions into another language opens up a can of worms. Except that in French, the notion of a can of worms in nonsensical. Instead, the French talk about a guêpier, which is a wasp’s nest, or a sac de nœuds, which is a bag of knots. But my favorite French equivalent is un panier de crabes, which is a basket of crabs, because it’s so visual. You can just imagine what happens when you put a bunch of live crabs in a basket. Pinch, pinch, pinch. Definitely a situation you want to avoid.

crab

Etre aux anges

On the other hand, if you’re euphoric, you would not be on cloud nine or in seventh heaven because those phrases don’t translate literally (though I’ve heard beginners say, Je suis sur le nuage neuf or Je suis au septième ciel). In French, you would be aux anges, which implies you’re hanging with the angels. Which is how you might feel if you succeed in slipping a well-translated expression past the discerning ears of a native French speaker.

angels

Un secret de Polichinelle

Polichinelle, the French version of Pulcinella, is the commedia dell’arte character that evolved into Punch of Punch-and-Judy fame. If you’ve ever seen a performance of these puppets, you’ll know that Punch is a bit of a dimwit. The audience is forever trying to clue Punch in on the “open secret” that another puppet is sneaking up on him from behind to clobber him over the head or deliver a swift kick farther south. Un secret de Polichinelle is an especially timely expression these days given TIME Magazine’s choice of person of the year: the silence breakers who blew open the “open secret” culture of sexual predators.TIME Magazine's person of the year

Se coiffer avec un rateau

It used to be that tidy hairdos were a good thing. Then bedhead (cheveux en bataille, literally “hair in battle”) became the rage. But whether you spend two seconds or two hours making your hair look neat or intentionally messy, you probably don’t want people whispering behind your back that you do your hair with a garden rake. I have a friend who translates this expression as, “to comb one’s hair with a nail,” which I find hilarious. There’s actually a woman I’m acquainted with who seems to comb her hair with either a nail or a rake. I’m not sure what kind of look she’s trying to achieve, but every time I see her I’m reminded to rake up those last few autumn leaves that have fallen on my lawn.

Nick Nolte mug shot

Etre bien dans ses baskets

In English, one can feel good in one’s skin. In French, you could say the same thing (être bien dans sa peau) but I prefer the equivalent expression of être bien dans ses baskets, or to feel good in one’s sneakers. I don’t know why sneakers and not every other type of shoe. Personally, I feel perfectly at ease when I’m running around at home in my sheepskin-lined slippers or out in public in my suede lug sole loafers. Put me in a pair of sneakers and I’d certainly run faster but I wouldn’t feel as good. Hence, I “feel good in my sneakers” when not wearing sneakers.

Converse hi tops

So there you have it: five useful expressions to try out on your French friends. Bonne chance! as they say in French (Good luck!), though I prefer Bon Courage! because it implies that the thing you’re setting off to do isn’t easy. But at least trying out one or more of these expressions should be easier than combing your hair with a rake.

Merci beaucoup this week to my friend and linguistic exchange partner, Anne Catherine Desmichelle Chardon, who taught me un panier de crabes and who gently corrected me when I referred to combing one’s hair with a nail. I think I’ll just stick with my old standby—at least when talking about myself—and continue to refer to waking up with Edward Scissorhands hair.

Edward Scissorhands

Filed Under: French language Tagged With: être aux anges, être bien dans ses baskets, French expressions, idiomatic expressions, se coiffer avec un rateau, un panier de crabes, un secret de Polichinelle

November 29, 2017 By Joyce Simons

Hard-Asses and Soft-Spoken Sleuths

A couple of months ago, I attended my first-ever conference for mystery writers. And while it was a wonderful experience in many ways, something has been nagging at me ever since. Today, while sipping a cappuccino at Starbucks alongside private investigator Sid Rubin, I figured it out: many of the male crime novelists I met boasted about the female protagonists they created as “She kicks ass and takes names,” or “She takes names and kicks ass,” or just plain “She’s a hard-ass.”

Woman carrying guns

How irritating. It made me wonder whether those writers believe that in order for a female detective to be worth writing or reading about, she has to be as tough as nails.

I maintain that a person doesn’t need to be tough to be successful at their job. As someone who earned the nickname “The Velvet Hammer” during my days in hi tech, I can attest to the fact that femininity and effectiveness are not diametrically opposed. And it’s reflected in the protagonist I created. As a friend said recently, “Maxime doesn’t seem overly concerned about his masculinity,” which was a lovely way to say that my protagonist is not a hard-ass. He doesn’t need to be in order to be a successful sleuth.

I ran my thinking past Sid, who was kind enough to let me interview him for this blog. He even paid for my cappuccino. Sid is ex-military and ex-FBI. He “packs heat” on occasion and could very well have been concealing a firearm in his leather jacket right there in Starbucks. He’s also a gentleman. If he is a hard-ass—and I can easily imagine how he would be out in the field—he didn’t so much as hint at it. He didn’t trot out a litany of tough cases he cracked or try to impress me with ham-handed references to his 25-year career as a Special Agent, his success as a private investigator, or his intimate understanding of law enforcement. He’s surprisingly soft-spoken, and when not being grilled (gently) by me, he talked openly about how much he loves his wife and looks forward to hosting pajama parties for his grandkids. He gave me no indication that a woman has to be man-like to be a successful P.I. herself. In fact, more than once he stressed that you can catch more flies with honey than with vinegar.

Man in silhouette

So after a nearly three-hour conversation, I asked Sid to summarize the information he shared with me as pearls of wisdom. He suggested that some of what I was calling “pearls” might in fact be grains of sand. (Somehow, I don’t think a hard-ass would do that.) But in my opinion, they are indeed pearls because they offer a lot of value to aspiring private investigators, and some of them are life lessons too.

So without further ado, here are Sid’s pearls of wisdom…

1.  Get a background in law enforcement.

According to Sid, the more experience you gain in local, county, state, or federal law enforcement, the more it will benefit your career as a P.I. There are some things—like interviewing techniques, usage of proprietary databases, and development of information sources—that can be taught in a classroom but are significantly enhanced by field work experience. Sid should know because after leaving the FBI, he taught Criminal Justice at community colleges and trained police officers.

2.  Beware of a badge-heavy attitude.

If someone accuses you of being “badge-heavy,” it means you’ve adopted a persona of being powerful because you have a badge or license. It’s not a compliment; it’s a warning against assuming you have to assert power because you’re licensed to investigate.

Magnum PI with a gun

And that includes waving a gun around. Case in point: Sid has a weapon permit but he carries his firearm only when he’s in a dangerous place where he has a valid concern about his personal safety.

3.  There’s an easy way and a hard way.

I’ll bet Sid has repeated that phrase countless times when he’s pursuing someone or just conducting an interview. For instance, the easy way might be sharing information with him; the hard way would be sharing it with the prosecuting attorney.

He shared a hilarious story in which he had to search a house for a fugitive. Though he was told by the other Special Agents that the house was “cleared,” he was surprised to come face-to-face with a human posterior sticking out from a shelf above the washer and dryer in the laundry room. He directed the suspect to come down from the shelf, but to no avail. Sid informed the fugitive that he could come down the easy way or the hard way—the decision was his. Still no response from the protuberant posterior. So without warning, Sid climbed on a chair, grabbed the man by his belt and the waist of his pants, jerked him off the shelf, and let him bounce onto the laundry machines where he was handcuffed.

Easy way or hard way. You could say that the man found out the hard way just what the hard way was.

4.  Seek cooperation, not confrontation.

When interviewing someone, the trick is to get them to want to give you the information instead of trying to force it out of them. Or, to refer back to an earlier Sid-ism, “You can catch more flies with honey than with vinegar.”

Magnum PI throwing a punch

People are often willing to cooperate for a variety of reasons: they want to be involved, it’s the right thing to do, they have something to gain, etc. Part of the trick is to figure out which one applies to the person you’re interviewing so that you can appeal to their motivation.

5.  Before conducting an interview, define your goals and desired outcome.

What are you hoping to learn from an interview? Why interview one person instead of another? It saves time and effort if you’re purposeful in your approach to interviewing people. It also helps—a lot—if you’ve been trained in interviewing techniques (which Sid learned at the FBI, which trains and re-trains its agents).

Knowing what you’re after can also help you engage in the right kind of subterfuge when necessary. “An investigator will often throw things on the table to mislead a subject and get a verbal, facial, or physical reaction,” he said. He gives himself an “above average” rating at knowing when someone is lying but I’d venture that he’s way above average because he knows what he’s looking for and how to interpret someone’s reactions.

6.  Establish convincing pretexts.

“A lot of P.I. work is assisted by developing pretexts,” said Sid. Before he goes into the field on a specific case, he establishes pretexts that he uses when asking people for information. For example, when looking for a stolen boat, he posed as a salesman of GPS technology to interview people at various marinas. It was a lot gentler and more effective than flashing a license and saying, “I’m a P.I. looking for information about a stolen boat.” He got the information he wanted, and successfully located the boat.

Magnum PI in disguise

“You should have the ability to be a chameleon. If people don’t buy into your pretext, walk away and asks someone else,” he advised. “Don’t confront, don’t argue. Accept what you have and work around it.”

7.  Consider alerting local authorities before you start surveillance.

Sid often calls the local police before he conducts a surveillance to give them a heads-up rather than risk neighbors calling the police to report a suspicious man spying on or stalking someone. “Some P.I.s operate in their own vacuum world,” said Sid. So don’t be one of them.

Magnum PI with camera

8.  Develop your network.

Sid participates in a local network of retired law enforcement personnel who do P.I. work, as well as a worldwide network of about 775 retired FBI agents. Most of his work comes from law firms, large corporations when a matter is too sensitive for their own security teams, and referrals.

But what if you’re just starting out without law enforcement contacts or enough word-of-mouth referrals to get work? Sid recommends joining the Pacific Northwest Association of Investigators (P.N.A.I.) and WALI (Washington Association of Legal Investigators). “They’re great networking tools for someone setting out on a P.I. career to meet other investigators. And they’ll also help you find out what you can reasonably charge,” he said.

It also helps to develop contacts in the security industry (security departments in corporations, security firms that companies outsource work to, firms that offer private security, etc.), which can help you establish a client base.

9.  The way you spend your time depends on the type of case you’re handling.

Not all private investigators drive fancy sports cars, wear disguises, and spend their days chasing down suspects and dodging bullets. Depending on the case, you might spend more time in front of a computer than in the field.

On a typical day, Sid reads his email, decides which of about 12-15 active cases to work on, prepares a schedule of which leads to follow, plans which locations to go to, and does online research in proprietary databases (TLO, IRB, and LexisNexis) available to lawyers and private investigators. “Proprietary databases are constantly being updated for accuracy so it pays to use them,” said Sid. “Public ones can contain misinformation that wastes a lot of time.”

10.  The documented results prove the worth of the investigation.

The deliverable by a P.I. to their client is always a report of the results, which respond to the goals established by the client. Sid won’t invoice a client until he has a written report (or an oral report if that’s what the client has asked for instead) to accompany the invoice.

BONUS: Don’t be misled by the private investigators you see on TV.

This isn’t actually one of Sid’s pearls, but it came across loud and clear during our conversation. He listed the qualities of a successful P.I. as:

  • The ability to be a chameleon (see above)
  • The ability to fight boredom (especially when conducting a surveillance)
  • Honesty
  • Ethics
  • Knowledge of the law (i.e., what you can and cannot do legally)
  • Knowledge of people
  • “Skillcraft” (how to perform various aspects of the job)

What you often see on TV are criminals who are clueless to the fact that they’re being watched (“People involved in criminal activity look for clues that they’re under surveillance,” said Sid), and “bumper locking” by investigators who follow a target vehicle by starting their engines at the same moment as the suspect and follow from a ridiculously close distance. Which just speaks to skillcraft—learn the skills you need because, as Sid notes, “It’s not like on TV.”

Thanks this week go to the incredibly kind and generous Sid Rubin, who made this blog post possible. I’d include a photo of him but when he wouldn’t let me use my “spy dictaphone” to record our conversation, I didn’t dare ask if I could blow his cover by taking his photo. So I’ll just leave you with this image and let you imagine what he looks like!

P.I. in silhouette

Filed Under: Private investigation Tagged With: Certificate in Private Investigation, Magnum PI, Sid Rubin

  • « Previous Page
  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
  • Next Page »

Recent Posts

  • The Mystery of Phutatorius’s Breeches
  • Exposing Your Roots
  • Place as Character
  • Slow Food for Thought
  • Glimpsing the Road Not Taken

Archives

  • February 2020
  • November 2018
  • October 2018
  • August 2018
  • July 2018
  • May 2018
  • April 2018
  • March 2018
  • February 2018
  • January 2018
  • December 2017
  • November 2017
  • October 2017
  • September 2017
  • August 2017
  • July 2017

Categories

  • French language
  • French travel
  • Knitting
  • Other
  • Private investigation
  • Uncategorized
  • Writing mysteries & more
 

Copyright © 2025 Joyce Simons · Site Design: Ilsa Brink